Color field

Color field

El Color field painting (en español, «Pintura de campo de color»[1] o «Pintura de campos de color»[2] ) es un estilo de pintura abstracta que emergió en Nueva York durante los años cuarenta y cincuenta del siglo XX. Estaba inspirado en el modernismo europeo y muy relacionado con el expresionismo abstracto, dado que muchos de sus más importantes cultivadores fueron pioneros de este movimiento. El Color field painting se caracteriza ante todo por grandes campos de color liso, homogéneo, dispuestos a lo largo de la tela, tanto de forma regular como irregular, creando así áreas ininterrumpidas de superficie y un plano liso de pintura. El movimiento enfatiza poco los detalles, la pincelada y el movimiento, y presta sobre todo su atención a la consecución de una consistencia total de la forma y el proceso.

Desde finales de los años cincuenta y a lo largo de los sesenta, los pintores color field emergieron en Gran Bretaña, Canadá, y en Washington y la costa oeste de los Estados Unidos, utilizando formatos de rayas, blancos, patrones geométricos simples y referencias a la imaginería paisajística y a la naturaleza.[3]

Contenido

Artistas representativos y relacionados

Véase también

Notas

  1. ↑ Cf. Hal Foster y otros, Arte desde 1900: modernidad, antimodernidad, posmodernidad, pág. 443, en books.google.com.
  2. ↑ Cf. «Color Field Painting», en Masdearte.com.
  3. ↑ «Colour Field Painting», en tate.org, consultado el 7-12-2008.

Fuentes

  • Greenberg, Clement. Art and Culture, Beacon Press, 1961
  • Greenberg, Clement. Late Writings, edited by Robert C. Morgan, St. Paul: University of Minnesota Press, 2003.
  • Greenberg, Clement. Homemade Esthetics: Observations on Art and Taste. Oxford University Press, 1999.
  • The Columbia Encyclopedia
  • Kleiner, Fred S.; and Mamiya, Christin J. , Gardner's Art Through the Ages (2004). Volume II. Wadsworth Publishing. ISBN 0-534-64091-5.
  • Schwabsky, Barry. "Irreplaceable Hue - Color Field Painting." Art Forum 1994. Look Smart 20 April 2007.
  • Color As Field:American Painting, 1950-1975., retrieved December 7, 2008
  • Wilkin, Karen and Belz, Carl. Color As Field:American Painting, 1950-1975. Published: Yale University Press; 1 edition (November 29, 2007). ISBN 0-300-12023-0, ISBN 978-0-300-12023-3
  • Livingston, Jane. The Art of Richard Diebenkorn, with essays by John Elderfield, Ruth E. Fine, and Jane Livingston. The Whitney Museum of American Art, 1997, ISBN 0-520-21257-6
  • De Antonio, Emile and Tuchman, Mitchell. Painters Painting A Candid History of The Modern Art Scene, 1940-1970, Abbeville Press 1984, ISBN 0-89659-418-1
  • Jacques Dupin, Joan Miró Life and Work, Harry N. Abrams, Inc., Publisher, New York City, 1962, Library of Congreaa Catalog Card Number: 62-19132
  • Various authors: Barbara Rose, Gerald Nordland, Walter Hopps, Hardy S. George; Breaking the Mold, Selections from the Washington Gallery of Modern Art, 1961-1968, exhibition catalogue, Oklahoma City Museum of Art 2007, ISBN 0-911919-05-8
  • Cynthia Goodman. Hans Hofmann, with essays by Irving Sandler, and Clement Greenberg; Exhibition Catalog, Whitney Museum of American Art, New York in association with Prestel-Verlag, Munich, ISBN 0-87427-070-7
  • Irving Sandler. The New York School: The Painters and Sculptors of the Fifties, Harper & Row, 1978 ISBN 0-06-438505-1
  • Aldrich, Larry. Young Lyrical Painters, Art in America, v.57, n6, November-December 1969, pp. 104–113.
  • Peter Schjeldahl. New Abstract Painting: A Variety of Feelings, Exhibition review, "Continuing Abstraction ", The Whitney Downtown Branch, 55 Water St. NYC. The New York Times, October 13, 1974.
  • Kertess, Klaus. Peter Young Paintings 1963-1980. Parc Foundation. ISBN 978-1-931885-68-1
  • Kertess, Klaus. The Nature of Paint, Ronnie Landfield:Forty Years of Color Abstraction, Exhibition Catalog, ISBN 978-0-9820841-2-0
  • Carmean, E.A. Toward Color and Field, Exhibition Catalogue, Houston Museum of Fine Arts, 1971.
  • Carmean, E.A. Helen Frankenthaler A Paintings Retrospective, Exhibition Catalog, Harry N. Abrams in conjunction with The Museum of Modern Art, Fort Worth, ISBN 0-8109-1179-5
  • Henning, Edward B. Color & Field, Art International May 1971: 46-50.
  • Tucker, Marcia. The Structure of Color, New York: Whitney Museum of American Art, NYC, 1971.
  • Robbins, Daniel. Larry Poons: Creation of the Complex Surface, Exhibition Catalogue, Salander/O'Reilly Galleries, pp. 9–19, 1990.
  • Michael Fried. Morris Louis, Harry N. Abrams, Library of Congress Number: 79-82872

Enlaces externos


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